What Creates Fear In Horror Movies?

What Creates Fear In Horror Movies?Why I am frightened?With my dissertation, I dont want to formulate the entire horror cinema study, nor mention all in all the important directors or the actually best movies in this genre. My aim is to admit what makes the hoi polloi scary in a movie, what nuclear number 18 the elements that really make step ups a feeling of anxiety and stress.To achieve this goal, first of all I exit analyse the beginning of the cinema (the dim movies) in order to know which is the ground of our current horror cinema culture. I think before laborious to analyse any topic oneself must know the origins of this specific topic, the reality because this topic its like it currently is. After that, I will make a quick review of the horror deals of all(prenominal) decade until the appearing of the first horror take up in first-person spatial relation.This is because I think that the first-person perspective horror movie theatres ar the culmination of our research to sc are the public, I think that kind of movies are our current best bet in this issue.So with the help of the analysis of this kind of movies together with the analysis of the origins of the horror take away genre, I expect to know how and what really makes us scary.Before first-person perspective horrorThe horror film genre born at the comparable time than the cinema, although did it unintentionally. Larrive dun wagon train La Ciotat (Arrival of a train at the Ciotat) recorded by Lumire Brothers at 1986,showed simply the arrival of a train in a platform at a railway station. Despite of it, the public who went for the first time to see the film, became frightened and ran out of the room believing that the train would come out of the screen and run over them(Martin Loiperdinger and Bernd Elzer, 2004).That first feeling of terror using a filming was because the viewers in those years didnt know anything more or less cinema, camera shots and audiovisual language in usual. So, from then on, it would be necessary to find new ways to scare and stress the public, to a greater extent deliberate ways. This result in the birth of the horror film genre, whose objective is to make feel the public in danger, scared, frightened, like the audience who was watching the train arriving in the Lumires film.Silent Movies, the beginningLogically, the first horror movies were in the field of silent films. Thus, the first horror movies were silent, in black-and-white, and they apply to be closely conjugated to the fantasy genre, prevailing mythological or legendary features who lived among the society. Here are approximately outstanding examplesFrankenstein (1910)Director J. Searle Dawley seemry United States Duration 12 min. patch claim adaption of Mary Shelleys novel Frankensteinor in like manner calledThe modern Prometheus, published in 1818. Victor Frankenstein is a young student of 35 years old who is trying to create the ultimate creature. However , his experiments led him to create a terrible monster, deformed, which constantly attacks the deal around it. But the creature disappears when Victor Frankenstein falls in love.The film was recorded in fixed camera and using long shots during all its duration.Der Golem (The Golem)(1915)Director Paul Wagener res publica Germany Duration 84 min.PlotFilm adaption of Gustav Meyrinks novel with the equivalent name. The rabbi Loew sees in the stars a sign of that a catastrophe will engulf the Jewish people. Meanwhile, the emperor of Prague gives a command to expel the Jews of the city. The rabbi decides to create a clay ikon, the Golem, which what will save the Jews ghetto.This production is divided into five chapters and has two calamitys, The Golem and the Dancing Girl and The Golem How He Came Into the World. Both are overly inspired in the medieval Prague scarcely they dont belong to the same genre as the original one.Das Kabinett des DoktorCaligari (The Cabinet of Dr. Caliga ri) (1919)Director Robert Wiene Country Germany Duration 51 min.Plot Two friends, Francis and Alan, go steady a fair in Holstenwall town (north of Germany). Once there, the mad Dr. Caligari and his faithful somnambulist friend Cesare announcesthat they are able to divine the future. Alan asks how long he has to live. To which question Cesare replied that he will die before dawn tomorrow, a prophecy which is fulfilled. After that his friend, Francis, begins to investigate the conjuror (Cesare) and the sinister doctor to find out the truth just about what happened.In this film to the highest degree of the plot is presented like a flashback told by Francis, the friend of Alan. The film it is a radiating example of German Expressionist Cinemas foremost forays into the genre of psychological horror and is also one of the first films to include an anti-climatic twist at the end of the tosh(BrokenProjector.com, 2007 ,n.p.).Nosferatu(1922)Director F.W. Murnay Country Germany Duration 9 4 min.Plot An unauthorized adaptation of Bram Stokers Dracula novel. Year 1981, the German estate agent Thomas Hutter goes to Transylvania to visit the count Orlok in him castle to close a deal on the land purchase. During the visit happens a series of mysterious regularts that makes Thomas suggest that the count is a vampire. Unfortunately, in that moment the contract is already signed and Orlok is going to him new mansion in Wismark (Germany). Thomas Hutter aids the worst about Ellen, him wife.Nosferatu its also considered a German expressionism film. Despite of is non the first vampire movie. Nosferatu is maybe one of the most influential vampire films of all time (Colin Odell and Michelle Le Blanc, 2010, p.13).In this advance(prenominal) age of the cinema, the silenthorror films get used to narrate a history about a mythological, legendary or non-natural character. The golem for example, is non simply a lying character created by Gustav Meyrink in his novel the golem is al so a medieval folklore and an old Jewish legend. The first stories obaut golems date back to the beginning of Judaism and they assert that the golem is created from clay and a divine spark that gives life(Karina Garca, 2007). So, the golem is a mythological character of popular culture since centuries, in the same way that the figure of the vampire, myth in the folklore of many cultures since immemorial times. Despite of it, the word vampire (in their different language forms) began to be used in the medieval era being associated, for example, as a victim and, even, the cause of the many epidemics and diseases occurred in the eighteenth-century Europe(Carol Senf, 1988). In the other hand, characters as Frankenstein are more recent and, although nowadays its a character of the popular culture, originally were simply a fictional character created in 1818 by Mary Shelleys.In any slick, all these characters are characterized by not only be fictional characters, but because they are m ythological and legendary creatures (Frankenstein maybe not exactly) present in popular culture for centuries. So a lot so that, for example, until the early twentieth century there were killing vampire kits which were given to travelers to protect themselves from vampire attacks( ground forcesToday.com, 2003). Thats it, the people of that time really believed that they could be attacked by a vampire or see a golem next to a rabbi. In the case of Frankenstein, the belief was not in that particular character, but in the possibility of the existence of similar monsters in the reality due to advances in science and, above all, the technology in the nineteenth century.In the case of Caesar, the somnambulist of Dr. Caligari, is not exactly the same case but the basis are the same. Caesar although is not a monster acts as one. He sleeps in a coffin, him look is supernatural and frightening, he doesnt have willingly and, above all, he plenty predict the future. mayhap Caesar is like a py thoness or a witch, copious to scary the superstitious people of that time.In conclusion, the fear generated by these films was due the superstitious of the people and, more generally, because that films also provide a revealing reverberate image of the anxieties of their time. Nosferatu (1922) is not simply a tale of vampirism, but offers heart-rending images of a town beleaguered by premature and random deaths, echoes of the Great War and the Great grippe Epidemic fatalities (Karina Wilson, 2005 ,n.p.)Regarding technological aspects of these movies, they are strongly motivated by the theater. Thus, they were trying to immerse the viewer into the story through the use of different melodies (always present throughout the film, there were no voices)with different purposes. On one hand, there were the atmosphere melodies, used most of the time as a resource that remained in the scope to create the desired feeling depending of the location or the type of action that is described in the film. In the other hand, there were the mystery melodies, used to charm the viewer or stressed in the principal scenes of the movie.Referring the camera, the shots were prone to be quiet long and statics, only interposed by close-ups shots of the characters but rarely by close-ups shots of the actions. Maybe the influence of the theater was still quite strong on this aspect.Sound films, born the screamOpposed to the silent film, a sound film (or talkies) is a motion picture with synchronized sound which appearedin the mid- to late 1920s, although it was not until the early 1930s when this technique turned habitual. Films such as Dracula (1931), Freaks (1932), King Kong (1933), The savage Man (1941), Cat People (1942) or some of the adaptions of Robert Louis Stevensons novels, like Dr. Jekyll and Mr. Hyde (1931),The Invisible Man (1933) or The Body Snatcher (1945) are good examples of the horror films which the people used to watch in that time. These films maintained the base of the silent movies but giving now much more importance to the gracious-monster of the story, which is now its indisputable protagonist. outright these characters were, in most of the times, purely fictional, and the way that used to get terrorize the public was simply thanks to their appearance and their screams or, simply, their horrific sounds. The use of close-ups shots was increasing, in these days the real claim were the monster itself, so the events of the films was far removed from the everyday realities and the approaching war.In the decade of 1950s, the beginning of the post-war era and the cold war, the people lived infinitely with the fear of war. In this era films like Godzilla (1954), It Came From Beneath the Sea (1955), The Fly (1958) or The Wasp Woman (1960) were the stars of the horror film genre.All these films tell the story about an animal which is converted into a giant or repugnant creature because of reasons such as radiation, technological advances or adv anced biological experiments. The relationship with atomic bombs and the anxieties about nuclear weapons is clear, one of the most common fears in the people of the time (Marc Jancovich, 1996). Furthermore, at the end of the decade was the born of the movies about UFOs, aliens and in general foreign forms of life threats. So in 1947 occurred The Roswell Incident, born the acronym U.F.O and all of that maybe originated the fear of people about alien invasions. Movies like Invasion of the Bodysnatchers (1956) or object 9 from Outer Space (1958) are good examples of that although there is another theory about the fear of alien invasion in that time that argues that is alone a code for fears of Soviet Union aggression (Marc Jancovich, 1996). although this type of films will raise through decades, with films like Alien (1979), Independence Day (1996) or even Paranormal body process (2007), among many others. This is an example of a fear which is constantly scaring people during the de cades, more or less intensively depending of the actuality.Modern times, the fear became humanTeens of the time hadnt experienced the war, the social stability was a detail and the pop culture had born, welcome to the sixties. Hitchcock was still alive and the films Psycho (1960) and The Birds (1963) were proof of this. Horror films and thrillers had intertwined by one of the maters of the cinema. The people were afraid of losing their stable life, but not because attacks ofthe monsters or failed experiments, but because people of flesh and bone. Some of the movies of Alfred Hitchcock and other films like Blood scatter (1963) are a proof of that.On the other hand, the films about ghost and living souls grew in popularity, films like Carnival of Souls (1962) or The Haunting (1963). And not far from the ghosts were the zombies, iniquity of The Living Dead (1968) of George A. Romero, a classic of zombies and dead livings movies.After the optimism of the 1960s, the 1970 was marked b y a certain frustration. The fear apparent in the horror films of the 1970sis the fear of children and the much fatal process of childbirth Eraserhead (1976) is a good example of that. at one time the enemy was not in the space or in the Europe with the war. Now the fear was among us, inner(a) our billet, our mum, our dad or even our sister. Films such as The Exorcist (1973), The Texas Chainsaw Massacre (1974), Shivers (1975), Halloween (1978) or The Shinning (1980), narrates the story of murders that occur in our neighborhood or home for people more or less close to us. In that time, there was a social deep-seated paranoia that the moral shift of the 1960s had creates a culture of young monsters without moral capable of killing.And in the year 1980 was when the first-person perspective horror film appeared.3. Terror in first-person perspectiveAfter a century of horror films, nowadays we are witnessing an important quantity of films narrated in first-person perspective. Is not a fad, nor a trend, but gradually this type of products has grown in number and, especially, in popularity. The Blair Witch Project or, most recently, Paranormal Activity, are good examples of this situation. Both films were able to make feel the audience terrified when it comes out of the cinema. But this achievement was no thanks to a wonderful special effects, or thanks to the presence of very well make monsters and nor thanks to a heartbreaking melodies. That was because the audience really thought that the story was real and that they could be a victim of a similar experience(Manel E. Diaz, 2010). They probably discussed the facts narrated in the movie with a family member, a colleague or a friend a few days after the viewing. In fact, the movie hit them deeply, turning into an everyday fear during maybe a week after have watched the movie.First-person perspective horror filmsHere some examples of this kind of horror movies, most of which are recorded as a mockumentary or also called mock documental. Originally the mockumentarieswere used as a television genre to analyze or comment current events becausethe realness of the stories were higher when this format was used.Soon the mockumentary wasalso used by the cinema, movies asDavid HolzmanHYPERLINK http//en.wikipedia.org/wiki/David_Holzmans_DiaryHYPERLINK http//en.wikipedia.org/wiki/David_Holzmans_Diarys Diary (1967), The Rutles (1978) or Man Bites Dog (1992) among many others, are a good example of that. Butit was precisely in the genre of horror movies where their use seemed to have a greater impact on the public.Cannival Holocaust(1980)DirectorRuggeroDeodato Country Italy Duration 95 min.Plot The movie tells the story of four documentarians who deep into the jungle (Amazon Rainforest) to film the life of the indigenous tribes with tailnibal habits. Two month later, after they fail to return, the anthropologist Harold Monroe travels to the place to try to rescue the documentarians. Unfortunately, Mon roe and him team up discovers that the documentarians has been murdered and eaten by the indigenous. Surprisingly, they could recover the lost can of films which reveals the missing documentarians fate and all them experience into the jungle, including how they died. The supposed content of that can of films is part of the film itself.The film was presented by the director as whether all the length were real everything you see in the movie is real, even the deaths of animals and people. Thats it, the documentarians are really dead and were really anguish and murdered by the indigenous. These statements together with the content of the supposed rescued can of films and the format in which the film was presented (like a documental, with an important number of camera-in-hand scenes) achieved that the public believed that the story really happened. Despite all this, the whole content of the movie is fiction, except perhaps the animal deaths(Randy Malamud, 2010 2-3).In the year 1988 a ppeared a sequel of the movie called man-eater Holocaust IIthis one was more really like a Giallo rather than a documentary.Alien Abduction Incident in Lake County (1998)Director Dean Alioto Country United StatesDuration 93 min.Plot An American family is celebrating the dinner of thanksgiving when suddenly the fuses are gone and the house goes dark. Some of the members of the family decides to go outside to mold the fuse box, but something mysterious happens an unidentified flying object lands near them. This event will mark the beginning of a nightmare night when the aliens will try to abduct the family.The whole film is presented as the recording of the familys son, who films all the events occurred during the night with his new camera because he wants become a cinema director. This fact makes that the public thinks that the filming is real, although in the end of it they can see that all is fiction. Instead of the previous films, this one is not made like a documentary (althoug h it has various elements typical of this kind of format), but its presented as a real home video.The Blair Witch Project(1999)Directors Daniel Myrick and Eduardo Sanchez Country United StatesDuration 86 min.PlotIn October of 1994, triplet student film makers disappeared in the woods near Burkittesville, Maryland. One year later, their footage was found (The Blair Witch Project, 1999 n.p.). With this statement the film starts. So, the story is about those three students who were recording a documental about a local legend about the Blair Witch.As in Cannibal Holocaust the film was presented as whether all the footage were real, as the students were really dead in the end of the film and the content of them footage was the film itself (but the whole film is fiction). The technics resources used for this occasion were the same as in Cannibal Holocaust (camera-in-hand scenes, story tell in first person perspective as the camera were the eyes of the character, documentary form, low ima ge lumber to make the story more believable,). Despite of it, unlike Cannibal Holocaust the film The Blair Witch Project managed to be a really commercial achiever being one of the most profitable films in the story. Perhaps the innovative viral marketing campaign that succumbed before the release of the film was one of the reasons of for its success.In the year 1988 appeared a sequel of the movie called The Blair Witch Project 2 which was simply a common horror movie.Apparently, it is already preparing a second sequel that would be more faithful to the original.REC (2007)DirectorJaumeBalaguer and Paco Plaza CountrySpainDuration 85 min.PlotEvery night Angela and her cameraman, who works for a local TV channel in Barcelona, have to make a report about the routine of one collective of the city. That night they must go along with the firefighters of the city to cover an apparently minor incident in a building in the center of Barcelona. Once they get there, they realize that the resi dents of this building appear to be infected and that the building has been quarantined, a night of nightmare has started. The whole content of the movie is presented as the footage recorded by the cameraman who works with Angela.There is an American film called Quarantine which is a Hollywood remake of the spanish original movie. In 2009 premiered the sequel, REC 2, which replaces the idea of an infection by a curse. Currently the directors of the original film are working in the third part of the film.There are more horror filmthat uses the first-person perspective,films asDiary of the Dead (George A. Romero), The Last Broadcast (Stefan Avalos), Cloverfield (Matt Reeves) or Paranormal Activity and its sequel (Tod Williams).The most part of the films exposed used the documental or mockumentaries format, instead of some of them like Alien Abduction Incident in Lake Countywhich uses the formatof a home video or REC, which uses the format of a TV report.4. Format Topic, the key for s careAs spectators, we have always felt protected from the dangers that are shown in the horror movies. That is thanks to the border of the diegesis, that fine line, the thickness of the screen.When we enter at the cinema we know that everything we will see is fiction, drama, a trick to scare us in the case of the horror films. We can imagine the camera and all the casting and the crew filming every scene of this movie. However, when we watch a documentary for example, our feelings are totally different so we are really confident(p) that every action showed in the screen really happened and, in general, we are convinced that the whole reality showed in this documentary is the same reality as ours. This fact makes us quickly empathize with the protagonists of the documentary because we already know that we can life and feel the same experiences that they are showing on the screen. In the other hand, if the documentary is in Africa and is about the danger of the snake bites, is probabl y that a European spectator doesnt feel as much empathy about the events showed as an Asian one for example.This is because be attacked for a venomous snake is much more possible in Asia than in Europe. So there are two things that mark our level of empathy with what were seeing on the screen, the type of visual narrative or format used and the topic of the film.The most part of the films exposed in the previous point have used the documental or mockumentaries format, instead of some of them like Alien Abduction Incident in Lake Countywhich uses the formatof a home video or REC, which uses the format of a TV report, it doesnt matter. What is really important is the use of a format that we associate with the reality. Every day we see in the news reports about local or international events and, for this reason, when we watch a film narrated with that same format we feel that the story is real. By chance, this type of formats (these are normally used to tell the reality) used to get th e camera perspective to show the information, as the home video uses the same perspective to show the quotidian life of a family for example. Soin the case of the horror films in first-person point of view is not the perspective what makes us feel in danger, but the format.About the topic, as happens in the silent movies, will cause more or less fear depending on what level its close to us. So nowadays a first-person perspective horror movie about vampires wont scare us much as if was about the Flu A for example. In the other hand, there are some topics which scare us during all our history as for example, alien invasions. But inside every topic there are also a wide variety of manners of reaching the viewer. In the film Alien Abduction Incident in Lake County for example, the people who is attacked live in a rural area away from the civilization and, for this reason, they cant ask for help. However, in the film Paranormal Activity the people is attacked by aliens when they are slee ping. So is reasonable to say that Paranormal Activity has potential for scare more many people than Abduction Incident in Lake County because not everyone lives in a rural area, however, everyone sleeps. The same example its attributable to the film Cannibal Holocaust. The nightmare lived for the documentarians happen in the Amazons How many of the spectators have never been in the amazons? A large minority of them, sure. However, how many of the spectators have been sleeping during the night in a forest like the students of The Blair Witch Project? Surely a lot of them, maybe families with them children or friends making a picnic or a bivouac during the summer. Although the film could have been even scarier if for example it had occurred in a neighborhood in the outskirts of big city. So a really large part of the audience would feel identified with it and, maybe, when they would return home they would be a little bit afraid at least.So, in the same way that throughout the history of horror movies, nowadays we are scared about those topics whose are close to us. But not only nearby topics, also films with characters wholived situations that we can live in our quotidian lives. During the history of the horror films we have seena large union of films about issues of concern to the entire population, global issues. Instead, to really scare the public its better to find closer topics, more personal, all this bearing in object that a movie is a commercial product that should appeal to millions of people.In conclusion, for make a really terrifying movie we have to speak about a fear which can be felt by the people in their everyday life and furthermore, we have to use a format which is used to link to the explanation of real events, a format like the documentary for example. The horror films in first-person perspective uses this formats, but not always speaks about the most terrifying topic thus its depends of the global issues that there are when the film is re leased.ConclusionsAfter more than a century of watching films, the human as a spectator feels so comfortable that its difficult to scare. The people goes to the cinema knowing that the reality showed in the screen is not the same reality that the one they lives. And also knowing that the characters who are in the film are well-paid actors. In fact, they expect to enjoy with a good dramatization, a well narrated fiction story and, maybe, some spontaneous scare.As did Orson Welles in his radio broadcast War of the Worlds in 1938, the key for scare the public is to catch them off guard. And it has to be made inside their own reality, without allowing them to protect themselves with the diegesis of the fiction. The history has shown us that the best way to achieve this purpose is to narrate a fictional story using the same techniques that we would use whether the story was real. In fact, Larrive dun train La Ciotat (Arrival of a train at the Ciotat) recorded by Lumire Brothers at 1986 its a documentary (in its way), not a fiction movie.So,the first-person horror movies uses this techniques to scare the audience, but that is not the only thing to keep in mind. The topic of the movie is also important,a really terrifying movie has to speak about a fear which can be felt by the people in their everyday life, something that can really happen to them. This is a human fact, the people always has felt fear by the dangers of his surrounding, of his country, of his town, of his neighborhood, on his lives.BybliographyBrokenProjector, 2007, Kammerspielfilm, http//www.brokenprojector.com/wordpress/?p=9Electronically accessed 24th November, 2010.Elzer, B. Loiperdinger, M. (2004), The Moving Image 4. manganese University of Minnesota Press.Garca, K. (2007), ObservacionesFilsoficas Magazine, http//www.observacionesfilosoficas.net/golem.htmlElectronically accessed 24th November, 2010.Jancovich, M. (2006), Rational Fears.Manchester Manchester University Press.Le Blanc, M. Odell, C. (2000), Vampire Films. Harpenden Pocket EssentialsMalamud, R. (2003), Poetic Animals and Animals Souls.Georgia Palgrave Macmillan.Senf, C. 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